Wednesday, April 13, 2011
One of the best parts about Baltimore's music scene is the abundance of variety and creativity when it comes to different genres and sounds. Contemporary ambient music is a genre that's been particularly bountiful as of late around town, and Approximate Infinite Daydream is a new series that aims to highlight this burgeoning realm.
Created by Matthew Papich (Co La, Ecstatic Sunshine) and Neal Reinalda (Daytime), the concept is not your typical concert series. All of the performers will be solo acts, and all of which are of the more ambient and experimental variety. Also important to note - these shows will not take place in typical concert venues, but rather in more common spaces not generally used for shows. Current planned sites include Fox Court at the BMA (The Echo Spot), Gottlund Verlag HQ in rural Kutztown PA, the Soft House, and more.
As for the music and the specific concept behind this series, Reinalda states "Many of the practitioners of this new music are interested in creating music for specific contexts, often domestic. This tendency follows a certain tradition related to Ambient Music, and more specifically, to Eric Satie’s “Furniture” or “Furnishing” music. As dictated by Satie, this music is intended to function in a space as background, unobtrusive yet distinct. The sound is constructed to play a role in, and transform its’ surroundings, sometimes even evoking a specific mood or feeling. Our goal is to explore the role context plays in relationship to this music, specifically the role of domestic space and time and its relationship to various forms of visual and aural works."
Artists involved include Eachothers, Bear & Pieces, Comeback Ranch, Jared Paolini, Narc, Dead Drums, Co La, Daytime, Dustin Wong, Ken Seeno, and Gem Vision, and more. The series starts with a book release/primer on April 28, and you can RSVP right here.